Today we are checking in on what's going on in the glass studio and mostly we're talking about disasters.
When I first started doing glass I agonized over getting pieces perfect but I have since learned that with glass, like quilting, you can almost always fix something or, worst case, use it for scrap. Some of the scrap projects, again like with quilting, are some of the most fun and most interesting.
I don't usually share my "disasters" but I've had quite a few lately so thought I'd show them and tell you what I'll do with them.
We'll start with the pretty set of sushi plates that I promised for a friend LAST YEAR! I have to get a kiln full of glass to work on these and I can only slump 2 at a time so that's one reason they are taking so long. But I was down to the last orange one this weekend and was looking forward to emailing her this week to tell her they were ready.
Oh my, what the heck is this? The back of the plate has picked up some kiln wash or something and it's permanently fused to the dish. There's a small spot on the front too. So, what to do?
I'm going to first run it through a full fuse to flatten it out. Then I will use some wet sanding pads (specifically for glass) to sand the back of the plate and the one spot on the front. Then I'll full fuse it again to bring the sheen back and then slump it. It's got 3 more trips through the kiln before it's potentially done. In all honesty I'm probably also going to make another one just in case the repair doesn't work. Regardless, it's good for me to learn how to fix these problems.
Next up is this bubble plate. It has iridized glass on the bottom and you can see that it's taken on a distracting texture.
Here's a better look from the back. That's called pitting. I have now learned why this happened and consider it a miracle that it hasn't happened to me before because I've been fusing the irid glass wrong all along! I'm going to send this through the kiln once with the irid side up to see if it fixes itself. If that doesn't work I may grind the irid off to leave myself with a nice amber bubble plate.
This is one of my quilt blocks suncatchers. I've been working on this thing FOREVER! After the first fuse I felt that the hooks for the hanger were not fused in well enough so I sent it through again to add a bit of clear so they would be seated better.
This one worked perfectly.
This one not so much! I will need to grind the clear away from the hole of the hanging loop and then fuse it again, hopefully for the last time. I'll use a Dremel with diamond bits for this and I'll keep the surface wet while I'm grinding.
I want the kiln full every time I fire so I got a school of fish bodies ready (tails glued to bodies) and will get them "decorated" so that I can fill in the spaces between my other project with these. All of these fish will be swimming on my dye sink backsplash.
Also, people have been bringing me bottles so I spent a lot of time washing and removing labels from bottles this past weekend. I do these inbetween other firings. This is a particularly good batch. There are lots of clear ones to use with my tree of life and swirl molds.
I'm Vicki Welsh and I've been making things as long as I can remember. I used to be a garment maker but transitioned to quilts about 20 years ago. Currently I'm into fabric dyeing, quilting, Zentangle, fabric postcards, fused glass and mosaic. I document my adventures here.
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