That's a conversation that Mom and I had this past weekend specifically related to hand made items. Why are we suddenly talking about this?
It's because of this.
This is what's left of a pillow cover that my Grandmother, Lura Dove, embroidered around 1930. When Grandma had to go (unwillingly) into assisted living Mom took the pillow cover and framed it for her room. After Grandma died my Aunt had it for a while and then gave it to me. It's been hanging in my sewing room until a week ago.
When it fell off the wall and the frame shattered. Usually in this case I run right off to my favorite frame shop and spend a small fortune to have it re-framed.
When Mom framed this she wasn't loaded with a ton of extra cash and she was dealing with the stress of convincing her Mother that assisted living really was the right answer for someone prone to falling. So she did what most of us did 25 years ago, she used one of those mats with the stick edge. I started peeling the back edge of the piece (the front is not stuck) and realized that this fabric is incredibly fragile. It also has some pretty strong age staining.
So, what to do? For me the answer was to call Mom for a consultation.
Chris and I re-drafted our wills last year so I've been think a lot about what we leave behind. The result of my pondering is that we are leaving a pretty heavy burden of stuff on the next generation. That's especially true in my case where 2 kid will get stuff from their parents, from me and from Mom. Frankly, that's a lot of crap. Written into our special bequest lists of our wills is a comment that I added to tell the recipients of my stuff that they are under no obligation to take anything or to feel they must take special care of anything. They can refuse it, sell it, give it to someone else or keep it. It doesn't matter to me. I will not be there to pass judgement.
So Mom and I discussed it and agreed that this piece has served it's purpose in life. It made Grandma Dove happy to make it and enjoy it during her long life. I enjoyed seeing it while it was hanging on the wall but it's OK to let it go and that's what I'm going to do.
Not to worry, I still have some treasures from Grandma Dove like this dresser scarf.
This is my favorite piece. I had 2 of these bed covers. I know I gave the other one to someone in the family but don't remember. I kept this one and think I may quilt it some day.
In the first house that Chris and I owned I used this on top of the guest bed bedspread and my Grandma got to see it there once.
Oh my gosh, my next sentence was supposed to be "So I'm OK letting the pillow cover go." but just as I was typing I realized exactly what I will do with it. I'll be back in a week or so to show you.
Sometimes I really annoy myself. I just could not let them go. I had to do one more thing with the tiny scraps. I've made confetti fabric before and usually use it in postcards in some way.
the process starts with a base fabric. This time it was a fat quarter of white fabric but the fabric doesn't matter because I'm going to cover all of it. On the base fabric I fused a layer of Mistyfuse and then spread out my biggest scraps. I covered the fabric with a pressing sheet and fused that layer.
The next layers are:
I think I might use this "new fabric" for Christmas postcards so I added a layer of Angelina fibers, then another layer of Mistyfuse and, finally, I covered the whole thing in tulle.
Here's what it looks like now. Once I decide what to do with it I'll probably do some stitching to hold the layers together.
I've made several postcards with scrap-made fabric. This is one of the most recent ones. I just need to come up with a shape and I'll be ready to make a set of Christmas cards.
I promise you will not see another post about the rainbow scrap bits. The rest will end their days in a dog bed.
You have to admit, it's going to be really pretty in that dog bed.
I am so fortunately to live near one of the best museums in the country and I don't have to go to a big city to visit it. The Virginia Museum of Fine Arts doesn't often rank in a top 25 list of best museums but it won't be long before it actually gets the recognition that I believe it deserves. It is often cited as the only museum on the East Coast to get a particular exhibit and that is the case for the current Yves Saint Laurent exhibit.
The VMFA does costume exhibits pretty regularly and I was excited to see this one. If you are interested in fashion in any way and you can get to Richmond VA this summer, this particular one is not to be missed.
One thing I loved about this exhibit is the amount of information presented on the designer, himself. This exhibit shows the value of nurturing talent early. YSL started his career at a young age making paper doll fashions from magazines and his own drawings. He was in his teens when he did these and his natural talent is clear.
This is part of a book illustration that he also did at a young age.
Another very cool part of the exhibit are these design boards. (I'm sure they call them something else). There are several of these for every collection showing a drawing of the garment, fabric swatches, notes and the garment number for the show.
They had 2 from every year that he presented collections. It was fun to walk them in chronological order to see how the color palettes and silhouettes changed. I also spent a lot of time looking at particular garments and then coming back to the boards to see how that garment fit into the collection for that year.
There is a section on how the garments come together including information on how prints are designed, selected and used.
Samples of lino blocks for printing fabrics.
Collections of hat forms that are art on their own.
A cool display on embroidery and showing how they used the toile and paper to show how a garment will be embellished.
And lots of very large jewelry!
There are 102 garments in the exhibit and I particularly loved this section with garments presented in color themes.
Each color section has a back display of swatch pages presented in a gradient.
He designed a number of dresses as homages to different artists or art movements. I think that Mondrian dress has to be one of his most famous.
The first time I looked at this one I didn't even catch that it was a body silhouette. I just thought the lines were cool.
If I could have 1 garment from the collection it would be this coat.
I wonder what Chris would say if I made us matching outfits in purple crushed velvet?
The day after we got back from New Mexico my friend, Laura, arrived here from England via NYC with her daughter. Laura is going to hang out with me for a few weeks before heading back home. We love spending time together because she loves to sew while she's here. We both put on our audiobooks and move on to do whatever we want. We do stop periodically to chat and eat. Here's some of what we've been doing.
While she was in NYC, Laura bought this really pretty water bottle. Coincidentally it also holds a whole bottle of wine and keeps things cool for 24 hours. The bottle is beautiful and she wanted to make a cover for it. The print reminded us of Shibori so that's where we searched for the fabric.
Doesn't that complement the bottle really well? It's padded to provide more protection.She used this Instructables tutorial.
She cleverly modified it to add a locking strap.
The she made a short strap.
And a long strap. She's good to take this bottle anywhere.
Meanwhile the most exciting thing in my studio this week is the arrival of this cart. You know I bought a wet saw (for glasswork) a few weeks ago. It's just a little too heavy and awkward for me to move it in and out on my own. I decided that I needed a car that I could wheel in and out. But I also needed a way to easily wash it down and trap all of the ground glass so that I don't end op with piles of ground glass in the grass. I remember how the drain in the glass studio at VisArts was set up so I decided to do something similar.
I started by drilling 1 1/4" hole in both shelves of the cart.
Then I had a large bin and a bucket and drilled holes in them.
This is how it works. As water pours from the top shelf (where the saw will sit) it will drain into the bucket. Most of the glass bits fall to the bottom of the bucket. As the water level rises it seeps from the holes near the top and that water runs into the big bin. Any glass bits that run out of the bucket will settle in the bin so that the water running out of the bin is safe to let flow into the bottom shelf and out the hole (drain) in that shelf. When I'm done I can let the bucket and bin settle more and the pour water off the top and let the bottom evaporate outside and dispose of the sludge/glass dust safely later.
I know this doesn't look like much but I'm really excited about it. I can bow easily roll my saw inside and out.
I've been thinking about doing this post for a while but it became relevant when I was working on the sailboat postcard. I needed thread for the edging and wound up checking all of my thread stashes to find the perfect matches.
I'm pretty sure that I have more thread than fabric and I'm A-OK with that. I hate starting to quilt a quilt and not having just the right thread to go with it. Thread is like crayons. If you can afford it are you going to buy the Ultimate Crayons or the 8-pack? You are buying the 152 ultimate pack that includes glitter and metallic crayons.
Well, let's start with the fancy metallics, glitter and other special threads. These are in a cabinet right next to my Brother sewing machine (where I make postcards). Like many of my threads, several are in the original wrappers but they were there when I need them! But there's nothing there for my postcards.
Next stop is these 2 drawers of mostly acrylic threads. These are under the Brother table and I use these a lot on postcards but it runs fine on the longarm too. Many, many years ago there was a website called Lunn Fabrics that sold hand dyed fabrics. Debra and Michael now design batiks for one of the fabric lines. They also sold this thread and when they went out of business they sold off the remaining inventory at deeply discounted prices. I bought over 50 cones but, seriously, this was so inexpensive that I'm sure I've gotten my value out if it now. The colors are beautiful and the sheen is wonderful. But none of them matched my postcards. Down to the basement.....
Nothing in the Masterpiece collection matched. I primarily use this as bobbin and piecing thread.
I used a variegated poly threads on the front of the cards but didn't want a varigated effect on the edges so no Rainbows or King Tut. These days I use these threads primarily on charity quilts where I do an all over pattern. I'm using up a lot of King Tut on the veterans quilts.
The threads I use most often for quilting are these polyester (not shiny) neutrals and I'm glad I have lots not choose from....but not for these cards.
I expected to fin the matches here in either the So Fine or Bottom Line collections but no!
How about the solid polyesters? I love these threads and use them a lot. But no matches here either and I'm running out of options.
Back upstairs I have another cart of thread next to the Juki. The top drawer has my piecing threads. The second drawer has some heavier cottons that are used almost exclusively on postcards but this wasn't what I was going for.
Years ago when I was primarily sewing garments some online store had an amazing price for Mettler thread and I bought every possible color. This supply has come in handy so many times and I consider it one of my best purchases ever.
That was doubly true when I made these postcards. Look at those perfect matches!
I love my thread collection and wouldn't trade it for anything. I think I'd give away all of my fabric before I gave away the thread. It's my ultimate crayon box just bigger and spread all over the house. At least they don't stain carpets when they are accidentally smushed.
First off, I want to thank you all for the overwhelming response and kind comments about my wall. I'm glad you like it as much as I do and if there's one lesson that I can share from this project it's this: just start somewhere. Don't try to plan everything out, just start and let the project unfold as it needs to. I started with the framework and then just tackled it one clamshell at a time and it eventually came together.
After I finish a large project I like to take a day or 2 to regroup and reorganize all of my projects and spaces and get myself on track for another few months. This time I had the added carrot of a new challenge project from my quilt club, Country School Quilters. They are starting a challenge quilt series. It's a low stress project with only a couple of rules for each challenge and I've been on the fence about joining in. So I decided to think through all of my current projects and available workspaces to see if I wanted to jump in.
Let's take a look, shall we.
On the big sewing table with my Juki I have the scraps from the Rainbow Quilt spread out and I have an idea of where I want to go with them. There are lots of scraps so there's a whole new quilt in here and I'm very excited about the directing this is heading.
On the small sewing table with the Brother machine are tiny bits from the wedding quilt that I cut out for Mom and from the Rainbow Quilt. I've got several postcard ideas working here and this is great late night mindless sewing.
Let's not forget about the symmetry quilt blocks either. They have their own dedicated design wall and I work on cutting out the blocks sitting on the floor in front of the open cabinet. This is an easy project to get out, work on for an hour or so and then put away.
I keep a separate project to work on at the monthly CSQ sewing days (this month that's tomorrow and Saturday) and I have been very anxious to get to this one once the rainbow quilt tops were done. This is my oldest UFO and one that I still love. Just the borders left to go. I'll post more about it next week
On FloMo I've loaded the last of the Rainbow quilt tops. This small quilt will be a class sample for my Ruling Rulers class at The Longarm Network. It shouldn't take long to finish.
While the cutting table is clear I'm going to get this marked so that it will be the next thing quilted on FloMo. After that I have at least 10 veterans quilts waiting and probably 8 more of my own quilts.
Oh, and let's not forget that there's a new wall section coming up and I'm making fused glass fish for the backsplash for my dye sink!
So, after taking stock of what's currently on my plate and realizing that I didn't want to trade any of them out, I've decided to not participate in the challenge quilts....for now.
It seems I'm working on a little bit of everything this week which means that it's a very happy week with no complaints.
I was going to add the second shelf to the kiln yesterday to fire it but, fortunately I woke up yesterday morning with the clear realization that my plan would not work. The thermostat for the kiln would have been between the shelves and that would have screwed up the temperature for both shelves. Since I had the one shelf already loaded I ran a tack fuse cycle yesterday and hopefully can do the full fuse cycle this weekend.
Yesterday was dyeing day and I decided that it's been too long since I did shibori. It's a time intensive process but you can't beat the results.
I do 6 batches of shibori dye, 2 at a time and each batch takes about an hour. So while the dyes were working I ted up the last 7 of the beach towels that I'm dyeing for my family beach vacation. Tyeing it the tedious part so now I can get on to the fun...after I tie up some baby clothes and Tshirts. There's a tie dye session coming up really soon!
My goal for today is to get the king size Rainbow quilt loaded and basted. I'll be centering this on a quilt back so it's going to take some time and patience to get it loaded. I ordered the batting last Wednesday from Amazon and was told that I'd have if by Saturday. It didn't ship until Saturday and finally arrived Tuesday. I stretched it out on FloMo yesterday to let the batting relax a bit. I'm anxious to get this think done.
On a side note, it's taken me 45 minute to write the short post. There's all kinds of activity on the pond this morning and I've mostly been counting the turtles on "Turtle Beach" and watching a Heron hunt. The turtles have a special spot where they like to soak in the sun and the Heron has been particularly entertaining this morning. I even saw it catch a fish.
Before basting the quilt I'm heading out to hang out with a couple of friends this afternoon and I'll be taking my applique to work on a bit.
Yesterday we made our annual day-trip to Hampton for the Mid-Atlantic Quilt Festival. Some years the exhibits are better than others, depending on the entries they received, but all years are fun. I didn't take many quilt photos but if I have any worth sharing I'll edit and post them later this week.
I was well restrained with my shopping and came home with only a small bag of items. Unfortunately the car discussion has me dreaming of a new sewing machine and I'm going to try to talk myself out of that. I just bought a new machine 2 years ago and, aside from it's hatred of metallic thread, it's otherwise a wonderful machine.
I plan to spend the rest of the weekend hanging out with FloMo. We are going to finish this veterans quilt and hopefully 2 more. Then I want to get the Rainbow Quilt loaded and started. We'll see how it goes.
What are your plans for the weekend? I hope it's something fun.
Working in the corner like this is really difficult and hard on every joint in my body. In other words, I'm not 17 anymore and had to finish this off in 3 sessions. But I got it done and now the last 3rd of the wall is ready for grouting. Technically I have until the end of the year but I'm anxious to get started on the next wall so I want this grouted soon. Maybe next week.
I either did mosaic in between dot making sessions or I made dots in between mosaic sessions. Whichever it was, I eventually finished both! All of the flower centers are made and basted to the borders near the corresponding blossom. Every where I had pins in the applique I replaced it with a little basting stitch. Who knows how long this is going to take and I don't want to risk pins rusting....although I'm not sure they do rust anymore.Regardless, I won't stick myself and bleed on the fabric either.
All of the leftover blocks, blossoms, lose petals and my drawings are packed up in this bin to be stored away until I get tired of seeing the bin and finally give the rest of this project away. I'm not ready to let go yet. Those blue blossoms are kind of calling me...because I'm borderline insane. As if the wall wasn't evidence enough of that.
The quilt top is safely stored in a cabinet but everything else I need for this project is in this bin. It has the binding fabric, 3 of the borders to be appliqued, the corners and extra floss.
As I work on a border I fold up the edges and safety pin them together and leave only the section I'm working on now. The pins won't hurt anything because I left some extra width that will be trimmed off when I put the quilt together. I cut floss into 3 lengths. Early on I measured how long pieces need to be for full petals, partial petals and centers. I have a ribbon length for each and can quickly precut a skein of floss into the right lengths. Looking at this photo I need to cut a skein of partial petals before I get back to stitching. All I need to carry with me are the thread reels, extra floss, little needle book an scissors. I wonder if I can get these scissors on a plane? Anyone know the answer to that?
This purple plastic folder has been my carrying case for this project from the very first petal. Hopefully it can hold together for the 4 borders.
The cutting table is clear and I'm ready to start a new project but it's a beautiful day today so Chris and I are going to take the day off and go for a little hike.
I got back from Birds of a Feather late yesterday afternoon and immediately collapsed in the recliner and didn't move much more after that. I had a fantastic time but, working from home, I'm not used to being around so many people so I always find crowds exhausting. But this was a really good crowd and it was great to reconnect with other teachers and some of my new owner students. I loved both of the classes that I taught and hope to get the opportunity to teach again next year.
Before I left I worked so hard to get my applique ready to take with me and then barely took a stitch. I came home to my brother's every night and vegged out with a movie. The last night we even had a double header. But I did shop!
I talk a lot about Superior Threads but I also like YLI a lot and most of their threads are made in the USA. Their booth was right next to where I was selling my Crystals fabric so I spent a lot of time talking to them. The Longarm Essentials is a brand new thread that they developed for The Longarm Network. I bought these 2 colors to try out on some of my veterans quilts. The pale gray will be perfect for the next 4 quilts. The tan variegated is YLI Variations, a trilobal polyester. I have this in a darker brown called Teddy that is beautiful. This one is Fawn and I love that it has a tiny bit of a pale olive to blend with the golds.
Then I spied these hand dyed cotton ribbon threads! These are YLI Quilt Highlights and I can't wait to try them on some postcards. You can see that you can even pull a thread for a ruched effect. I will be playing with these very soon.
These are the rayon/metallic versions of the YLI Quilt Highlights. Of course I had to get these for my Christmas postcards for this year. The green one is called Night Sky and the red one is called Night Embers. Very fancy.
My friend, Terry, bought these for me and I was thrilled to find them. They are really for holding oil but I need it for glue basting. It's going to be much better that what I'm using now.
Jamie Wallen and Lisa Calle were both there selling their rulers. I have almost all of Jamie's rulers except for the small pebbles/circles. His have handles which are perfect for most people but not for me. I found my missing sizes in Lisa's booth. These are her ProPebbles rulers and she has great instructional videos on her site on how to use them.
The bonus of the weekend was this cool beach tote that the conference attendees received. I'll be toting this to the beach in a few months.
Today I decided is going to be a Sunday. I'm not going to do much work. I'll catch up on laundry and work on my applique. I'll get back to work tomorrow.
I'm Vicki Welsh and I've been making things as long as I can remember. I used to be a garment maker but transitioned to quilts about 20 years ago. Currently I'm into fabric dyeing, quilting, Zentangle, fabric postcards, fused glass and mosaic. I document my adventures here.
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