I keep talking about all of the dyeing that I'm doing to get ready for the AQS Virginia Beach show. I thought I'd give you a brief tour today.
Now, keep in mind that my business is a little business and my inventory is basically stored in one closet and on one shelf in the office. I estimated that I needed double that amount of fabric for the show and consequently the whole house has turned into a warehouse! Chris is exceedingly patient about it.
I lucked out that when Mom moved and unpacked she had several large plastic bins that she no longer needed. I brought them all home with me. I'm filling this one with Black Shades Packs and single color Color Wheel Shades Packs. It will be stuffed once I get all of the 10 Color Wheel colors done.
There will be one more bin filled with the Color Wheel Shades and Stash Packs eventually.
This bin is getting filled with all of the other colors of Shades Packs.
This is one of those bins designed for wrapping paper but I'm filling it with Stash Packs. I'll have to find another bin for overflow.
The guest room closet is filling up with Gradients. A month ago I was nearly panicked about how much I needed to do to get ready. Now that my bins, closets, living room sofa and other surfaces are filling I'm feeling better about it. I'm a little more than half way to my inventory goals.
But, I think now you can see why in the evenings all I can do is sit and hand stitch a bit.
Tuesdays and Wednesdays are dyeing days so the amount of sewing (or anything else) happening on those days is about zero. But Chris is away for a couple of days on a fishing trip so I had 2 nights free to myself and set a goal of clearing away the moon mess. Last night about 11:00 I got the last one made.
I don't have a specific number of moons that I wanted to make. I just made one from every piece of shibori that I had. These photos are some of my favorites.
Every time I dye shibori for the shop I add a fat eighth to each pole for my own stash. I definitely dye mostly blue because that's what people want to buy. But I've gotten lots of other color combinations too.
I double dye all of my shibori fabric. I dye once in the darkest color and then spread the fabric out on the pole a bit and dye in the second color. I get a bonus third color where those two blend. I think double dyeing makes it even more interesting.
That orange and black one in the middle is my favorite of all of them. I did fussy cut several of them to get the colors where I wanted them. The one in the upper left corner is a prime example of that. It did waste a bit of fabric but it's not like I was actually using this fabric before I cut these out.
Here's the final stack. I think I have about 60 of them. I don't know if that too many or not enough because I haven't decided on a final quilt size. I'll just make blocks until I get tired of them. I'll be dyeing lots more shibori so I can always get more moons whenever I need them. Now I just need to settle on the block size and cut the backgrounds.
It's been a busy week around here! In the last 2 days I dyed about 110 yards of fabric and now I start the washout, soaking and ironing for the rest of the week. That's why I didn't post yesterday. But I did share this photo on Facebook yesterday. It's a sneak peek at a new gradient that will run from black to light brown. I've gotten some great suggestions for names and you are welcome to add your ideas in the comments. naming the gradients is one of the hardest part of my job!
I actually have plenty of things to share on the blog but simply haven't had time (or energy) to edit the photos until today. These are things that I added to the ice dye bins last week. These for folded fabrics are napkins. They are going to be the inspiration for my next set of placemats.
In the same bin as the fabric was this shirt. I love how the pattern turned out but it's got way too much yellow for me to wear. This one might get overdyed with a blue to turn it purple and green. That would be more in my color palette. I think to make it look right I would do a full immersion dye. That way the added blue would be even and the ice dyeing pattern would still be the dominant image.
This one was in another bin and was supposed to be red and blue, not pink and blue. But I like it well enough and may leave it alone.
My favorite item from that session is this tunic/dress. I got it from Dharma Trading a couple of years ago and I don't think they carry it anymore. It's rayon and has a tie in the back. I'm going to shorten it about 4 inches and it will be perfect to wear with white or pale blue leggings.
My life these days is almost 100% focused on dyeing fabric for the AQS Virginia Beach show in October. Since I haven't done a big show before I'm going in totally blind about what I need so I'm trying to make sure that I have too much. That means that every day is either a dyeing day, ironing day or planning day. Last week had 3 dyeing days because I decided to add in some ice dyeing and I thought I'd share my process for anyone who hasn't seen it before.
To be perfectly honest I don't really like ice dyeing but I love the results and there's really no other way to get them. Ice dyeing a pain in the neck. It's messier than regular dyeing, takes a lot longer to set up and wastes a TON of dye. I really couldn't abide the dye loss so a few years ago I started putting extra fabric in the bottom of the bin to catch the runoff dye and that's how I accidentally created some of my favorite fabrics, the Galaxies. It's a Galaxy fabric that is the feature fabric in my Antelope Canyon quilt.
So I start by arranging 2 - 3 yards of fabric in the bottom of my bins. The sheer fabric over it is cut from old sheer curtains and helps to keep dye powder dots off the fabric and it works great.
I had folded and soaked the fabric in soda ash several days before so I was ready to arrange the fabric on my screens. These screens are made with PVC pipe, plastic landscape cloth and zip ties. Next I surrounded the fabric with a wide plastic collar. Some people use cardboard but I had a roll of this heavy duty vinyl in the basement and this was a opportunity to use it. Don't ask where it came from because I don't know! Clothes pins keep it upright. Now it's ready for dye.
For my regular dyeing I use dye concentrates. The most, and probably only, dangerous part of dyeing is working with the dye powder because it gets airborne easily. I start my dye sessions by mixing the concentrates that I need for that day and then put the powders away. Ice dyeing requires working with powder so I load up some spice shakers with each of my colors and have them ready to go. While I'm using the powders I ALWAYS wear a mask. A caveat about safety, if you are a klutz like me the whole process can be fraught with danger.
Because of my arm Chris had to help me out with this session. While he went to buy the ice I planned out the colors for each bin. He did all of the heavy lifting. I think that most people apply the dye directly to the fabric and then cover with ice. I like to put down a layer of ice, then sprinkle on the dye powders and the cover with more ice. I think it reduces the appearance of dye powder dots on the fabric. If you haven't figured out yet, dye powder dots are a giant pet peeve for me. This particular tray had 40 lbs of ice!
Here are 6 of the 7 trays hanging out in the sun doing their business. I like doing this outside because the ice melts faster and rinsing with the garden hose is so much easier! As soon as I get caught up on my ironing I'll have the new ones to share. The fabrics in the bottom of the bins turned out great too!
I'm very excited that I decided to try vending at the AQS show in Virginia Beach this October but it means a lot of prep work to get ready. I'm really enjoying planning the booth layout and what inventory that I need to have ready. I estimate that I will need about 800 yards (or more) for a show of this size. Next comes the challenge of figuring out what the make up of that inventory needs to be.
Of course I have spreadsheets! I'm keeping track of what I want to take and how much of it I have ready. I have storage bins all around the house (hidden as much as possible) to keep it all in for the next few months. But this means that I have to double the amount of fabric that I dye each week.
I used to dye on Wednesday, wash out on Thursday, soak Friday, rinse and dry on Saturday and iron on Sunday. Now I dye Tuesday and Wednesday and double all of the other schedules too. Now when I dye gradients I dye 2 of each: one for the internet shop and one for the show. These are Gray Skies and Black that I dyed yesterday.
Yes, I batch in a sauna. Only because we have it in the basement. Chris used it for a while but decided he didn't like it. It's a GREAT dyeing tool!
But that's not all! I'm also dyeing 4 new Reflections designs this week. These are all for the internet shop. They will not be at the show. So that's 40 yards Wednesday.
This is the washout and starting the soaking process for all the stuff I dyed Tuesday. This is about 43 yards of Shades Packs. For the Shades Packs I dye whatever customers ordered for the week and the same colors for the show. It's all pretty efficient and I'm building up the inventory faster than I expected.
That's all really good but it does mean a lot less quilting and mosaic. I'm not complaining because I'm really enjoying the dyeing and show preparations but it does mean there's less good stuff for the blog. I don't think you want to see fabric dyeing photos every week! I may share some if it seems the least bit interesting but there are likely to be some skipped days this summer (like tomorrow) when I just don't have anything blog-worthy to share.
Next week will be better, though, because it's Country School sewing this weekend and I'll get to work on my Antelope Canyon quilt again!
This is where I left off last month and I'm excited to work on it again. Plus Chris and I will finish off the Bosch series so I will make some applique progress....and I'm going to go hang out in my friend's pool. I'm so glad summer is finally here!
Because of my Save My Bleeding Quilt article, this topic comes up a lot for me. It's also a bit of a pet peeve. There's SO MUCH BAD INFORMATION out there about dealing with bleeding fabrics and about how to process hand dyed fabrics so that they don't bleed. It annoys me no end so I will continue to talk about it any time I get a chance.
When I was vending at Birds of a Feather I had a free handout in my booth to help continue spreading the word.
It was there that I met Rhonda M from Houston. Her home was flooded during Hurricane Harvey and one of her quilts bled when she washed it. I gave her the handout and talked her through the soaking process to try to get the dye out of her quilt. It doesn't work all the time but it works best when the bleeding is spotty like this.
Another reader recently had a quilt that turned an even pink all over so that meant that the other fabrics in the quilt really wanted that dye and absorbed it. She was able to get about half of the pink out but not all of it.
But Rhonda has much better luck! All of the dye came out of her quilt and she's happy again. These stories make me very happy too. I get at least one query or story every week about dealing with bleeding quilts. It's really sad because this can all be avoided by soaking fabric, using my process, as soon as it comes into your house.
I've decided that today I want to try to address some of the specific comments that I've seen lately on Facebook and some information that I heard in an online dyeing class.
About commercial fabric and quilts:
Just giving a quilt with some color catchers is not a very nice way to gift a quilt but it seems the favorite Facebook way to gift a quilt. If you are worried about a quilt bleeding please take the time to either soak the fabrics before you make the quilt or soak the quilt before you give it. Color catchers aren't going to prevent or fix a bleeding problem. They look really cool but it's the soap that does the work. Let's say you gift a quilt and it bleeds the first time the recipient washes it do you think they are going to tell you that they ruined "your" quilt? No! They are going to stuff it in a closet and hope you never ask about it again. It will eventually be used for moving pads or pet bedding. They will never know that it could probably be fixed.
Soap and water are the key and you need plenty of both. A soap molecule is hydrophilic on one end and hydrophobic on the other. The hydrophilic end really wants to attach to a water molecule. The hydrophobic end hates water and looks for something else to attach to. That something else might be dirt, oil or loose dye particles. That means that you need lots of water molecules and lots of soap molecules to pick up all of the loose dye molecules. If that dye doesn't get attached to a water molecule it's going to attach back to the fabric. You can't fix a bleeding fabric or quilt in a HE washing machine. There simply isn't enough water.
Time is also important. Some dyes take a while to let go. Blues are especially notorious. Soak a minimum of 8 hours to make sure that the fabric isn't going to bleed. This is why simply pre-washing fabric will not work. I recently bought a commercial purple fabric. I washed it once just to test my theory. I put in a color catcher to see if it bled in the wash. It didn't. Then I soaked it overnight and by morning the water was DARK purple! It was eventually going to bleed during one of the washings had I not soaked that fabric because exposure to water is cumulative.
Any Dawn detergent will do. There's nothing magical about Blue Dawn! I compared the ingredients on all of the Dawn products and they should all work equally fine. I only tested the Dawn Pure Essentials but would use whichever is closest. Dawn does work better than Synthrapol and is a lot less expensive.
Don't use Retayne to fix a bleeding quilt! Retayne "retains" dyes. That means that if there's loose dye in the water the Retayne will do a great job of attracting that loose dye back to your quilt and not necessarily where it came from. Retayne was developed for fabric dyers and I learned the hard way that you can only use Retayne on single color fabric.
Regarding hand dyed fabrics:
If you dye or purchase hand dyed fabric the same rules about water, soap and time apply. Here's the process I use to make sure that my fabrics are colorfast. With this process I can wash all of my fabrics together with no back staining. I wash yellows and dark blues together with no problem.
1. Rinse the fabric in cold water first to remove any soda ash. Put the fabric in a bucket or sink of cold water while you rinse out all of your fabrics.
2. If the fabric is very dark I might run through a couple of quick cold soaks to get some of the quick releasing dye out. Once the water is dark I drain.
3. Fill a large tub or sink with HOT water and enough soap to get a good suds. Add the fabric and agitate the fabric wearing heavy gloves. Cover the fabric with plastic bin lid and weight them with bins of water. You want all of the fabric under water.
4. Check the water in an hour. If the water is dark drain it and fill the tub again with HOT water. Check in a few hours and repeat if necessary.
5. Leave the fabric to soak 12 hours. Change the water and soak 12 more hours. Do this every 12 hours until the water is clear.
Yellows and oranges will be done within 12 hours, reds generally take 24 - 36 and turquoise and cerulean blues can take 48 hours.
If you follow this you will have colorfast hand dyed fabric that you can safely use in any project.
OK, I feel better now that I've got all of that off my chest and it's time for me to rinse out yesterday's dyed fabric.
Every couple of years I buy some plain white knit shirts and dye them. I've dome tie dye and ice dyed but the ones that I wear most often are the ones that are simply textured dyed so that's what I did with these shirts. These 3 are all short sleeved for summer.
Of course this is my favorite. I'll wear this one out next summer.
I did a red and black version in long sleeved too! I really love the purple/gray one but I don't love the green one. But the good thing about dyeing is that I can just dye it again today. I think it will get some blue added to it.
These shirts came from Land's End. They had a sale around Thanksgiving and I think I got them for between $10 and $15. They dyed great. I've dyed shirts from J Jill, Eddie Bauer and Land's End and they all dye great.
Since I can't share what I'm sewing I thought that today I'd share what I do when someone contacts me for a custom palette. This one was pretty straight forward.
A customer contacted me about making this quilt. She wants to make the green gradient version. But I didn't know that.
The request came through that she wanted this fabric in 9 steps. The problem with that is that the dark green in the image is the darkest possible shade so the other 4 steps would be lighter. I know from experience that those last 3 steps would be so light that you would hardly be able to tell them apart. So before I do a custom dye order I'll ask what the fabric is going to be used for. In this case she sent me a link to the pattern above and once I saw the gradient version I knew that what she asked for wasn't really what she wanted. My job was to put together some options for her.
This is where my color swatches come in handy! First I pulled out the swatches for the color she selected. Those are the 7B samples (7Ab is in there because I'm missing 7Bc). Then I added darker shades from the same green family. By that I mean that all of these greens are made with the same yellow and blue just in different ratios. I also added black because she was considering black as the darkest color. I'm not really fond of that idea. I think it's way to stark. I prefer the darker colors to be more blue.
For this sample I started with the same base green (7B) but as I went darker I switched to another green for the darker shades so that there would be less blue.
For the last sample I picked a different green just to give her another option. This is a darker base green (8B) so I could go even one step lighter on the light side if she wanted.
Here's another custom order that I've done recently. This customer needed a color matched. I focused on the dark and medium paint chips. Her lightest shade is actually a different color and I could pull that color from my Copper Mine gradient. The darker paint chip was the challenge. I had colors that were close but not close enough. This is a more complex color because it involves mixing 3 colors: a red, a yellow and a blue. Too much blue and it goes purple, too much yellow and it goes brown. There are also 2 yellows and 4 blues to choose from. It took a few weeks but I eventually got this and she's happy!
These are the things I love doing. I love it when people ask me to create new colors or palettes. Occasionally I can't do what they want but I'm always willing to give it a try.
The next one I'm working on is seriously complex and involves about 40 different fabrics. We'll see if I'm able to get that one.
A couple of years ago I had another shibori book that I used to make a lot of samples of shibori fabric. You can see them all in my shibori gallery. It was a very good exercise and I've never pressured myself to do anything with those pieces. It was all about the learning.
Earlier this year this book came out. I believe that most books that are published in the craft arena are pretty much crap but this one is outstanding. So I'm going to start a new personal sibori series and this one will focus on all stitched motifs. I think I'll take a chapter a month and do as many pieces as I can. You are welcome to stitch and dye along with me. If you think you want to do this but don't want to dye them contact me and we can work out something where I can dye your pieces for you.
Let me give you a peek into the book so you can see if you want to buy it to work through it yourself.
There's single layer stitching.
Machine stitched resists and tons more.
In the book that I used before the designs were mostly historical and traditional designs and most were out of my skill set. This book is different. Jane Callender gives very detailed instructions and I've already learned some great techniques that I didn't grasp before.
I took the book and some fabrics on vacation the past 2 weeks and got started on some stitching. It was great work for the 14 hour card drive in each direction. Now I have to figure out if I want to dye them traditional blue (like the last set I made) or go in a different direction. Meanwhile I'll keep stitching and will try to show progress at least once a month.
I mix my dyes using only the 10 pure colors from Dharma Trading and I mix all of my colors from those. That means that as soon as a dye started to loose strength that I can't use it in my recipes anymore.
How do I know when they start to weaken? I tested it of course! I have a chart right here.
When I mix my dye concentrates I label the bottles with the date made and the "expiration" date. I've been doing to long enough that I'm pretty good at estimating the amount of dye I use each month but I still have some dyes that occasionally expire. Expiring just means that it loses a little strength. The dye is actually good for several more weeks. It's just weaker. I can't throw dye out so I had to come up with a way to use it.
Veteran's quilt backs is the answer!
Country School buys the backing and batting for the veterans quilts that Terry and I quilt. I buy the backing from Marshall Dry Goods by the bolt and used to buy printed fabrics. I'd get a blue and a gold or tan and force match the quilts to the 2 backs. A couple of years ago I decided to start buying one bold of white to dye in other colors and that's what I use the expired dyes for. Now I just buy 1 printed bold of backing and 2 of white so most of our quilt backs are dyed. We still mostly need blue backs but several shades of blue. Conveniently, most of the expired dye is one of the blues or black. I will add "good" yellows or red for green and purple backs.
Here are a few that I have ready and waiting for quilts.
Here are just a few of ones that I've done over the past year. I think these are much better than the cheap printed backing fabric that we buy. I'm glad the CSQ members let me make the dyed backing for our quilts. I think we get prettier colors and I don't dump good dye down the drain.
I'm Vicki Welsh and I've been making things as long as I can remember. I used to be a garment maker but transitioned to quilts about 20 years ago. Currently I'm into fabric dyeing, quilting, Zentangle, fabric postcards, fused glass and mosaic. I document my adventures here.
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